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Harry Seidler – Modernist & The Edge of the Possible
Purchase these two outstanding architectural documentaries for just $34.95
Harry Seidler – Modernist
The first documentary retrospective of Harry Seidler’s architectural legacy, Harry Seidler: Modernist reveals an intimate portrait of his extraordinary life and internationally recognised work. Seidler is acclaimed as one of the greatest modernist architects. He won every architectural major prize in Australia, is represented in every major city, and was embraced internationally by the likes of Norman Foster (the London Gherkin) and Renzo Piano & Richard Rogers (Pompidou Centre, Paris). During a career that spanned almost sixty years he worked in New York, Paris, China, and Mexico, reshaped Sydney, Melbourne, Brisbane, Perth and Vienna and prompted architects and artists from all over the world to look to his work as an inspiration. Seidler typified the practice of mid-century modernism in Australia more than any other. From the moment he arrived in Sydney his private homes were in demand and his uniquely stylised and innovatively engineered tower blocks came to dominate the skyline. International buildings include the Australian Embassy in Paris and the Wohnpark Neue Donau in Vienna. 2016 marks 10 years since the death of Harry Seidler and this timely documentary will deliver an exhilarating retrospective of Seidler’s architectural vision.
More InformationThe Edge of the Possible
Danish architect, Jørn Utzon, was awarded the first prize in a competition to design an Opera House for Sydney in 1957, he flew to Australia to begin work on the construction of the greatest building Australia has ever seen and, indeed, one of the finest achievements of modern architecture. Utzon was forced from the project in 1966 and never returned to Australia. What defeated him in the end was politics. His triumph came with the 2007 World Heritage Listing of the building “as a work of human creative genius” and one of the 20th century’s greatest buildings. This film charts the dramatic course of the creation of a masterpiece and includes a rare interview with Jørn Utzon as he reflects on his role in the compelling story of the conception and construction of the Sydney Opera House.
“I LIKE TO BE ON THE EDGE OF THE POSSIBLE” JØRN UTZON
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